{"id":703,"date":"2026-09-22T21:56:04","date_gmt":"2026-09-22T21:56:04","guid":{"rendered":"https:\/\/kreyoflix.com\/?p=703"},"modified":"2026-09-22T21:56:05","modified_gmt":"2026-09-22T21:56:05","slug":"sans-frequenter-une-ecole-de-cinema-gessica-geneus-et-samuel-suffren-a-la-conquete-des-festivals-de-films-internationaux","status":"publish","type":"post","link":"https:\/\/kreyoflix.com\/?p=703","title":{"rendered":"Sans fr\u00e9quenter une \u00e9cole de cin\u00e9ma, Gessica G\u00e9n\u00e9us et Samuel Suffren \u00e0 la conqu\u00eate des festivals de films internationaux"},"content":{"rendered":"\n
<\/p>\n\n\n\n
Par Christien Sylvaince:<\/strong><\/p>\n\n\n\n
<\/p>\n\n\n\n
Ils n\u2019ont pas fr\u00e9quent\u00e9 une \u00e9cole de cin\u00e9ma. Pourtant, leurs parcours les ont conduits jusqu\u2019\u00e0 certaines des plus importantes sc\u00e8nes du cin\u00e9ma international. Gessica G\u00e9n\u00e9us et Samuel Suffren repr\u00e9sentent deux trajectoires singuli\u00e8res du cin\u00e9ma ha\u00eftien contemporain, construites \u00e0 partir d\u2019exp\u00e9riences artistiques diff\u00e9rentes, mais r\u00e9unies par une m\u00eame passion pour l\u2019image et le r\u00e9cit.<\/p>\n\n\n\n
L\u2019une arrive au cin\u00e9ma par l\u2019acting avant de passer derri\u00e8re la cam\u00e9ra. L\u2019autre commence par la photographie avant de se tourner progressivement vers la r\u00e9alisation. Deux chemins diff\u00e9rents qui les conduisent aujourd\u2019hui \u00e0 faire voyager leurs \u0153uvres dans des festivals internationaux.<\/p>\n\n\n\n<\/figure>\n\n\n\n
Gessica G\u00e9n\u00e9us, de l\u2019acting \u00e0 la r\u00e9alisation<\/strong><\/p>\n\n\n\n
Avant de devenir r\u00e9alisatrice, Gessica G\u00e9n\u00e9us s\u2019est d\u2019abord fait conna\u00eetre comme com\u00e9dienne. Elle a notamment suivi une formation en acting \u00e0 Acting International \u00e0 Paris, une \u00e9tape importante dans son parcours artistique.<\/p>\n\n\n\n
Son exp\u00e9rience de com\u00e9dienne va progressivement nourrir son regard de r\u00e9alisatrice. Derri\u00e8re la cam\u00e9ra, elle d\u00e9veloppe une \u00e9criture personnelle, attentive aux r\u00e9alit\u00e9s ha\u00eftiennes, \u00e0 la m\u00e9moire, aux rapports familiaux et aux questions qui traversent la soci\u00e9t\u00e9.<\/p>\n\n\n\n
Avec Freda, son premier long m\u00e9trage de fiction, Gessica G\u00e9n\u00e9us franchit une \u00e9tape majeure. Le film est pr\u00e9sent\u00e9 au Festival de Cannes en 2021, dans la section Un Certain Regard, donnant une nouvelle visibilit\u00e9 internationale \u00e0 son travail.<\/p>\n\n\n\n
Son parcours se poursuit ensuite avec Marie Madeleine, un film qui continue lui aussi son voyage \u00e0 travers diff\u00e9rents rendez-vous cin\u00e9matographiques internationaux.<\/p>\n\n\n\n<\/figure>\n\n\n\n
Samuel Suffren, de la photographie au cin\u00e9ma<\/strong><\/p>\n\n\n\n
Pour Samuel Suffren, le parcours commence avec la photographie. Avant de devenir cin\u00e9aste, il est d\u2019abord photographe. C\u2019est \u00e0 travers cette pratique qu\u2019il d\u00e9veloppe son rapport au cadre, \u00e0 la lumi\u00e8re et \u00e0 l\u2019image.<\/p>\n\n\n\n
Son rapprochement avec le cin\u00e9ma se fait ensuite \u00e0 Port-au-Prince, gr\u00e2ce \u00e0 des rencontres avec une communaut\u00e9 de jeunes cin\u00e9philes, parmi lesquels plusieurs \u00e9taient issus du Cin\u00e9 Institute de Jacmel. Samuel Suffren n\u2019a pas \u00e9tudi\u00e9 dans cette \u00e9cole, mais les \u00e9changes avec ces personnes form\u00e9es au cin\u00e9ma vont jouer un r\u00f4le important dans son parcours.<\/p>\n\n\n\n
De ces rencontres na\u00eet notamment l\u2019id\u00e9e de cr\u00e9er un cin\u00e9-club. Le groupe se retrouve r\u00e9guli\u00e8rement pour regarder des films et \u00e9changer autour du septi\u00e8me art. Cette exp\u00e9rience lui permet d\u2019approfondir sa culture cin\u00e9matographique et de d\u00e9couvrir des cin\u00e9astes comme Wong Kar-wai, Ousmane Semb\u00e8ne et Pier Paolo Pasolini, dont les \u0153uvres vont contribuer \u00e0 nourrir son regard.<\/p>\n\n\n\n
Sa formation se construit ainsi progressivement, entre photographie, rencontres, projections, \u00e9changes et pratique. Son regard de photographe commence \u00e0 se transformer en une d\u00e9marche cin\u00e9matographique, avec le d\u00e9sir de raconter des histoires et de d\u00e9velopper sa propre \u00e9criture.<\/p>\n\n\n\n
Son parcours le conduit ensuite vers la r\u00e9alisation. Avec des \u0153uvres comme Agwe, Des r\u00eaves en bateaux-papiers et C\u0153ur Bleu, Samuel Suffren voit progressivement son travail circuler dans plusieurs grands festivals internationaux, notamment \u00e0 Locarno, Sundance et Cannes.<\/p>\n\n\n\n
Deux chemins, une m\u00eame volont\u00e9 de raconter<\/strong><\/p>\n\n\n\n
Gessica G\u00e9n\u00e9us et Samuel Suffren n\u2019ont pas emprunt\u00e9 le m\u00eame chemin pour arriver au cin\u00e9ma. Gessica vient de l\u2019acting, Samuel de la photographie. Aucun des deux n\u2019a suivi le parcours classique d\u2019une \u00e9cole de cin\u00e9ma pour devenir r\u00e9alisateur.<\/p>\n\n\n\n
Leurs trajectoires montrent surtout qu\u2019il existe plusieurs chemins vers la cr\u00e9ation cin\u00e9matographique. L\u2019apprentissage peut aussi se construire \u00e0 travers une pratique artistique, les rencontres, les \u00e9changes, la curiosit\u00e9 et l\u2019exp\u00e9rience.<\/p>\n\n\n\n
Aujourd\u2019hui, leurs \u0153uvres voyagent au-del\u00e0 d\u2019Ha\u00efti et leur pr\u00e9sence dans les festivals internationaux t\u00e9moigne de deux regards qui, chacun \u00e0 sa mani\u00e8re, participent \u00e0 faire entendre le cin\u00e9ma ha\u00eftien sur la sc\u00e8ne mondiale.<\/p>\n\n\n\n
Par Christien Sylvaince: Ils n\u2019ont pas fr\u00e9quent\u00e9 une \u00e9cole de cin\u00e9ma. Pourtant, leurs parcours les ont conduits jusqu\u2019\u00e0 certaines des plus importantes sc\u00e8nes du cin\u00e9ma international. Gessica G\u00e9n\u00e9us et Samuel Suffren repr\u00e9sentent deux trajectoires singuli\u00e8res du cin\u00e9ma ha\u00eftien contemporain, construites \u00e0 partir d\u2019exp\u00e9riences artistiques diff\u00e9rentes, mais r\u00e9unies par une m\u00eame passion pour l\u2019image et le […]<\/p>\n","protected":false},"author":1,"featured_media":704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-revue-du-cinema"],"yoast_head":"\n
Sans fr\u00e9quenter une \u00e9cole de cin\u00e9ma, Gessica G\u00e9n\u00e9us et Samuel Suffren \u00e0 la conqu\u00eate des festivals de films internationaux -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kreyoflix.com\/?p=703\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sans fr\u00e9quenter une \u00e9cole de cin\u00e9ma, Gessica G\u00e9n\u00e9us et Samuel Suffren \u00e0 la conqu\u00eate des festivals de films internationaux -\" \/>\n<meta property=\"og:description\" content=\"Par Christien Sylvaince: Ils n\u2019ont pas fr\u00e9quent\u00e9 une \u00e9cole de cin\u00e9ma. Pourtant, leurs parcours les ont conduits jusqu\u2019\u00e0 certaines des plus importantes sc\u00e8nes du cin\u00e9ma international. 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